Object Dar't

December 31, 2010

The holiday season..

Well the holidays were certainly crazy. I had several commissions with a deadline for Christmas - which was exciting and certainly good experience; but more than anything it was encouraging!



While the past year for me has been an evolution of seeing myself as an "artist",



I feel hopeful that the coming year's focus might be the realization that being an artist doesn't mean you have to be poor. 

farm paintings

November 4, 2010

October's Circle Journal

I received the October Circle Journal from the Blue Frog Legs Group. This month I got Tina's of Rabbit O'Whimsy. Tina used an old Cookbook for her Circle Journal and theme is "Seasons". The journal instructions were simple: find the month that you received the journal and use those pages designated for that month using the SEASON as your inspiration. The sad part was that I loved a couple of the recipes! In fact, I actually made one of them (the Butternut Squash Ravioli). So I decided to TRY to incorporate my paintings into the recipe book rather than cover them up. I didn't have a huge amount of time to play with the journal given the pace of life these days but I managed to do a few things - like integrate a drawing of my Pear Tree (in the front yard) into a Poached Pear recipe. While I'm not supposed to give away all the elements, here is the painting of fall I did:













I sure hope she likes it :)

October 27, 2010

I started!

So I guilted myself into starting the Sketchbook Project finally. I hate when I feel left behind so I set about doing my cover last night. Of course I chose the theme "Down Your Street" because I LOVE to do architectural drawings and thought I would do a global tour through my eyes. So here is the front cover which I completed last night..just 40 more pages to go! HAHAHAHAH

October 26, 2010

Sketchbook Project 2010

I really AM stressing out. I've had my sketchbook for over a month now. It sits there in my studio..mocking me. Blank and cold and cream colored. I tortured it a bit the other day - tore a page out of it - and certain I heard it wince. That's what it gets for being blank, uninspiring and uppity. And it has friends in high place too. Happy, gleeful, excited artists who are filling up the pages while mine sit empty and impatient. Oh yes, some of them have even taken their journals apart to reconfigure into something unusual and are now restitching them back together. And frankly..I want to SCREAM! I'm seeing how far behind I am and how uninspired..it's awful!




I went out on a limb and joined in the project and both life and my ADOLSS have gotten the best of me. I can't watch this train leave the station without me! I have to finish this..I have to leave my mark behind. This sketchbook is my scream to the world, "Hey! I'm out here you know!" and if I miss out - well it will have been self-sabotage and that damn sketchbook knows it. I want to be a title in the Brooklyn Art Library..I want to be a book that becomes old and tattered that someday someone flips through only to become curious as to who I was and what I did and where I lived. It's a small piece of immortality (even if only for a time) at a time in my life when I'm not even sure that I'll be missed once I exit the planet.



And then I recalled a poem by Edgar Allen Poe (one of my favorites really) of a raven that mocked him much like my sketchbook. And I thought for a moment that I could glean some insight until I recalled the whole story and remembered that the narrator in the poem actually dies from fright. *sigh* My muse better show up QUICK because there's no way in hell I'm going to die from the fright of a sketchbook.

October 19, 2010

Object Dar't happenings..

And so we all know that when school is back in session, life begins to become hectic gearing up for the frenzy that happens with the upcoming holidays. It's no exception for me. This Friday, I will be attending a benefit for the Grafton Food Bank where my artwork and furniture (www.trulyscrumptiouss.com) will be on display and for sale. Here is the invitation:
You are invited to
The 8th Annual
Women’s Night Out: Stress-Free Shopping
Friday Night
October 22, 2010
7:00 – 10:00 PM
Grafton Municipal Center
30 Providence Road
Grafton, MA 01519

Do a little shopping and support the Grafton Food Bank!
All raffle proceeds go to the food bank!
Free Admission ~ Door Prizes ~ Raffles
*** New this year: ***
Girl Scout Troop 30260 will be on hand to collect any
canned food donations to the food bank at the door!

In addition, I have to announce some of my new pieces. I'm excited about several of them, (and I admit...not so excited about others) but I'm grateful for the experience and feel satisfied in building a body of work. I've been attempting to depict my town and the surrounding areas as seen through my eyes. Here's a glimpse:






October 3, 2010

Where my heart is..

So today, as fall officially announced itself (by requiring HEAT in the house), I felt the urge to come closer to home. Boston is and will always be a fascination for me. I have amazing memories as a kid growing up with regularly scheduled visits to Boston. It's changed a lot in 30 years with many historic buildings having been demolished (to my chagrin) but still retains many of the elements that were magical to me as a child. The King's Chapel gives me goosebumps and the old City Hall puts a fire in my belly. Walking the Old Granary Burying Ground  where the likes of Paul Revere and John Hancock stir the senses and bring the mind backward to what you stand for as an American. But my favorite will forever and always be Boston Common. The beautiful gardens, statues, floral scapes and my first love; the bridge. Which was the subject of my painting this time. I didn't do it justice but it's my interpretation. 
Boston Common Bridge
 

September 27, 2010

A little bit of Paris at UMASS

Recently I had to undergo surgery so I spent 3 days in the hospital. I'd like to say a GIGANORMOUS thank you to the staff at UMASS - my surgical team, Dr. Kelly, the interns, Kathy and Mrs. J in Recovery, Mercy my CNA, and everyone else; You made it not only bearable but actually entertaining! And fortunately, I brought my art supplies with me to keep my busy because 3 days in a hospital can be long. I used the opportunity wisely though and wrapped up a few projects that were "laying in wait." (which was such an odd curiosity to the hospital staff. LOL)

As previously posted, I received Rosanna's Circle Journal so I had to follow through with my commitment to add to it. And I admit, in the 2 weeks I'd had it, I hadn't felt inspired. Usually things come to me but Rosanna's Circle Journal seemed to be an inspirational black hole for me. It might have been just all the craziness of preparing for surgery and finishing up my Shabby Chic furniture that made my muse go mute but she perked back up at UMASS! lol

My personal page in Rosanna's Circle Journal
In addition, I did a watercolor of the view if Worcester from my window of the hospital. The trees are turning and I couldn't help but try to capture the moment for her. Since she lives in Florida, I thought she'd appreciate the scene.

Paris on My Mind
Then I commenced to what I REALLY wanted to be doing...my painting of Paris. I'd sketched it a month earlier while at my friend Lisa's house and it had been patiently waiting for me in my sketchbook. I love that feeling I get when I am connected to my creativity. It just feels SO good. And even though it's something that "flows through me", I still find that bits of the goodness are left behind in me even after the process has ended. Maybe someday on the other side of life, I'll come to understand what all this "artsy" stuff was but in the meantime I'm just blindly going with the unseen and feeling really good as a result.

So as always, I'd like to encourage you to go out on a limb and get creative. As you can see from this entry - it doesn't have to be painting or drawing!

September 15, 2010

Creativity Interview with Artist, Shazelle Santana

This week, I interviewed artist Shazelle Santana, a Canadian artist who specializes in contemporary work through various media. Shazelle has an online presence at http://www.shazelleinlondon.com and can be found on Artspan.com and MySoiree.net. Here is her take on the Creativity Interview and I think you'll find it VERY inspiring!

 
OBJECT DAR'T: for anyone not familiar with you and your work, can you give us a brief description of who you are and what you do?
SHAZELLE SANTANA:  I live in London, Ontario, Canada. I'm a Mom to a beautiful 13yr old daughter...and a bunch of pets too. I work in more the contemporary work, and I enjoy working in a variety of mediums. This summer has been mostly photography though. In the past my work has been slow coming because I have been working as well as taking care of other responsibilities...like most of us :) I have a few other things I am working on as well, which I hope I will also be able to share here in time.


OD: how do you define someone who is "creative"?
SS: I define "creativity" as something that comes to one's mind and realization.

Bath by Shazelle Santana

OD: do you consider yourself "creative"?
SS: Yes. I was a very creative teenager, and was expressing my creativity all the time through pictures (drawings and photos), fashion, furniture, poetry, and writing. I excelled at art classes. I had many offers from people to purchase what I did at home, but I didn't see the value in what I was doing then. I seemed to be surrounded by people who were big critics and that put an end to my creativity for a while, that along with a few other things which dropped my confidence and value level substantially. It wasn't until I was trying to raise my daughter on my own that I started up again.


OD: how do you experience inspiration? Have you found any rhyme or reason to it? 
SS: There is absolutely no rhyme nor reason to my inspiration. It's actually something that everyone laughs at now. It comes to me in songs, sounds, smells, something someone says, thoughts, dreams, looks, movement, nature, at the hairdressers, or changing a lightbulb, literally anything at any time, and in some of the oddest, funniest ways. Unfortunately, I also don't get much sleep sometimes. How do I handle it? I often get a big laugh out of it too, or I startle someone around me because I suddenly get excited at the idea!

 
OD: Since several disorders (like ADD) are now linked to creativity, have you ever been diagnosed OR suspected that you have a disorder?
SS: I don't suffer from ADD disorder. For me it was post traumatic stress disorder which challenged my life significantly and created some additional problems. Therefore I do want to send some real encouragement on that thought. I think the results can be similar. I've lost way too much time being virtually "frozen". I initially started doing this work again because I was having a difficult time with my life, and found myself a long way from where I had hoped and wished to be. I felt I didn't have anything to offer the world, and didn't see much hope for the future. Now, the more difficulties I face today, the more creative I become, idea's come to me that I put into action, and my hope just builds bigger and bigger. I'm still not where I would like to be, but I hold on to that hope that I can do something in this world well. I think it's because I thought I must be able to do "something". So I tried, I put in an action, I don't like being trapped, so I had control over doing something. I won't give up. I love doing what I am trying to do. I'm enjoying this journey.

OD: please describe your creative process and some of the challenges you experience. 
SS: I think my creative process keeps growing because I am focused on it now more than ever. Maybe because I realize it belongs to me, it is who I am and it is ok to be me. I had to loose my old negative thought process which kept me from trying at all, for fear of being rejected in everything I tried. My biggest challenges are finances, and time. 


OD: do you ever feel obsessed about projects you are working on and if so, how do you handle the emotional aspects of it? 
SS: Yes, I become terribly obsessed with what I'm doing that's important to me. I can work through frustration and tears, without eating and sleeping. This isn't the best way, so I'm working on it, but I have always been a huge "perfectionist" with extreme expectations of myself.  It never fails that I get to a point where I hate my work and feel like I have failed myself. Its at that point that I now stop, and when I go back to the work, I find it's something simple I didn't see before, and end up being completely happy in the end, or allowing myself to accept near perfect (to me) sometimes...before it kills me. 


OD: do you ever run out of ideas or fear your creative well will run dry?
SS: No, I don't worry about running out of idea's anymore because I realize it is just a block and good idea's cannot come to me under pressure. I understand myself better now. When idea's do come to me, they flow like a flood and keep on going for days, weeks, and sometimes months. Within a relatively short period of time, I have now collected enough idea's to keep myself busy for a good for 5 years or so. I write many of them down now.

 
OD: how has your "creative" self evolved over time? What growth do you see? 
SS: The "standard" for my creative self is what has grown. My ambition just keeps getting bigger. I think this is because I wish I had followed through with this before, so I feel as if I am playing catch-up in a way. I feel it is more of a necessity for me now and I am very competitive with myself. I challenge myself and I am even more of a huge learner and studier than I used to be because I have a very clear direction now


OD: in closing, many of my readers are afraid of rejection & criticism and can't see themselves as talented or creative. What would you say to encourage them? 
SS: I would say to everyone to make sure you take the time to do what you like, or at least give it a try if you are thinking about it. Don't be afraid of failure or criticism. Failure means you gave it a try. That's better than not trying at all. Learn from criticism, and learn from someone that you admire that is good at what you are planning on doing! Even if you fail, if you love doing it, in the end that's either all that counts, or you've learned something in the direction of greater knowing your strengths and weaknesses, and you will excel at another component of it, or in something else. Just keep trying at something that will make you happy.   


September 4, 2010

object dar't: Circle Journal Time!

object dar't: Circle Journal Time!: "So today I received my 2nd Circle Journal and I'm so excited! I joined in a Circle Journal 2 months ago with the Blue Frog Legs forum (with ..."

Circle Journal Time!

So today I received my 2nd Circle Journal and I'm so excited! I joined in a Circle Journal 2 months ago with the Blue Frog Legs forum (with 11 other ladies) and this is the second one. For those of you who don't know what a circle journal is:

Circle Journal - A project where a group of scrapbookers/crafter/artists get together and each make a journal in their own style and theme (such as "Last Christmas" or "my best friend") which is then passed around the circle and each must add a page or two of thoughts, ideas and designs to everyone else's journal.
Think of it like musical chairs only played with journals being the things that go around instead of people.

So the journal I received today was from Rosanna Hope of BabyBonBons

Rosanna had Etsy seller Heather fashion a custom journal for her to pass around. Cudos to Heather because it is nothing short of spectacular! In fact, I'm going to order one for my family history album!


The album theme is "Passion" and I selected some items from the "Give n Take" envelope. I honestly can't wait to sit down with them!
The Grab Envelope!

My selection!

I won't be able to follow up with the pages I create because we've all agreed to keep it secret but hopefully when they are all done, everyone will post pics of what they got!


So far it's been an exciting adventure and it reminds me of being a little girl again who couldn't wait to receive mail addressed to her! LOL

August 30, 2010

eek

Ok..I've been busy and neglected the blog. I know. I am HOPING that this is only temporary. I would like to be optimistic that I can do both my shabby chic furniture AND paint (ok and all the other things I have my fingers in).
I wanted to share something with the other "creative types" out there. It's the Sketchbook Project:

Thousands of sketchbooks will be exhibited at galleries and museums as they make their way on tour across the country.

After the tour, all sketchbooks will enter into the permanent collection of The Brooklyn Art Library, where they will be barcoded and available for the public to view.

Anyone - from anywhere in the world - can be a part of the project. To participate and have us send you a sketchbook that will go on tour, start by choosing a theme to the right.
Sign up by:

Oct. 31st, 2010
Postmark book by:

January 15th, 2011
Tour starts:

March, 2011

The Sketchbook Project: 2011

Do it..you know you want to..and life is too short not to do some fantastic things

August 10, 2010

Remembering s'Hertogenbosch

I've been in a phase lately of "houses". I find this phase a happy one and honestly I'm relieved because pieces of previous work were intense. I don't know how others work at art per say but for me it's like my creative well is a Cooper Mini stuffed with 5 gazillion clowns. I just open the door and whatever clown is next, well, he/she steps out! And some of them have been very scary looking.

Up until about a month ago, I was experiencing truly terrible angst over what I felt was an increase in violent natural disasters. Then the mandala's came out. Giant, round beasts on black handmade paper depicting ruination. Then suddenly I was in what I can best describe as a "Mayan" phase. Primitive, basic and DEFINITELY brooding! Several of the pieces I didn't even photograph because honestly, I just felt awful looking at them. After these pieces were completed, I felt drained and empty. The best way I can describe that phase is to tell you that I felt like Rosemary giving birth in Rosemary's Baby.
Remembering s'Hertogenbosch by Denyse Dar

So imagine my relief when I started painting happier things! Lately, my obsession with architecture and my travel background has amalgamated into a series of houses - some of the homes. The experience of giving birth to them has been pleasant and left me feeling hopeful that I have more to give. Yesterday, I finished "Remembering s'Hertogenbosch" which was the town where I lived in the Netherlands. It is my impression of the tall dutch buildings along the cobblestone streets where I spent my days shopping and walking. I put in Piet's, which was the local grocer on the corner of our street, but in reality his store looked nothing like this. I would like to paint the town common and perhaps even the real Piet's with the small petting zoo but I have a strange feeling that a clown from Paris wants to be the next one out of the mini. ;) 



August 9, 2010

MONDAY'S MUSINGS: Creativity Interview with Artist, Joyce Rettstadt

This is the first of what I hope will be a weekly interview with someone I consider an artist. While this week does in fact feature a traditional artist, my goal is to select people who have taken whatever they do to the level of a "craft", be it programming, financial planning or painting. It is my hope that readers will not only understand the creative process but recognize it in themselves. It is the starting-off point of becoming who you were born to be. :) 

This week, I interviewed artist Joyce Rettstadt. Mrs. Rettstadt was actually my elementary school art teacher and was someone who set me on my path of creativity. She was through and through a Yankee; tough, capable, talented and a no-frills, honest-to-god artist. She ALWAYS had a pencil stuck in her bun and her baby, a gigatinormous weaving loom, sat in the back of the classroom. That room might as well have been a crack den with me as the addict. 

Hollyhocks by Joyce Rettstadt
 
Mrs. Rettstadt currently spends her time creating beautiful watercolors that of course she handles in her own unique way. She's 74, still full of vim and vigor and shared what I feel is such an honest, straightforward account of the active process of creativity. Give it a read and leave your thoughts in the comments box:

OBJECT DAR'T: for anyone not familiar with you and your work, can you give us a brief description of who you are and what you do?

JOYCE RETTSTADT: I studied at Moore College of Art in Philadelphia, PA., majoring in Textile Design. I have a M.A. from Clark University. I taught art at the elementary level in public schools and also at Clark University. I was a professional weaver of liturgical vesture until 1999. In 1997, I took a watercolor class at the Worcester Art Museum in Worcester, MA, which opened up a whole new beginning for my creative life. I retired from weaving and am now painting whenever I can! I think that my joy is reflected in my paintings. Another important aspect to my life at 74 is the fact that I have become a foster parent to a young refugee from Liberia. Willy is an orphan and has witnessed some terrible things in his life, but he also is an artist... a musician!

OD: how do you define someone who is "creative"? 

JOYCE: Someone who is a problem-solver but creates their own problems to solve rather than solving problems posed by others.

OD: do you consider yourself "creative"? 

JOYCE: Absolutely!
Thompson Harvest by Joyce Rettstadt
 OD: how do you experience inspiration? 

JOYCE: Inspire means to "breath in". We take breath from all around us. Everything has potential for motivating us.
OD: Have you found any rhyme or reason to it? 

JOYCE: The muse is fickle. She only visits when she wants. It can't be forced.

OD: So, how do you handle it? 

JOYCE: I chop wood or vacuum. It frees the head! I am reading a wonderful new biography, "CHUCK CLOSE LIFE" by Christopher Finch. In it, Chuck Close is quoted as saying, "Inspiration is for amateurs. The rest of us just go to the studio and get on with it." Close had a very difficult youth with learning disabilities etc. In addition, he had a traumatic medical event that left him paralyzed. He was able to overcome all of these issues to become a premier American painter. Very good role model for those with issues and an excellent read.

OD: please describe your creative process and some of the challenges you experience.

JOYCE: My greatest issue has always been the centering process. This is a quote from a talk that I gave in Boston several years ago to those who were using art as a therapy to recover from breast cancer:
"In the creative process, there is a centering that must take place. Writing or painting or composing is NOT usually a group experience...it is solitary. And at first there are all those distractions. Things to do, plans to make, bills to pay, dinner to cook and on and on. The mind will not shut up but we must be patient and work to still that blabbering voice that is always trying to get our full attention.
Craftsmen, artist. writers musicians and even athletes speak of the experience of 'liminal' moments when they are apart from time, when they are so focused that time ceases to exist. The self is absorbed. It is a wonderful place to be!!"

OD: do you ever feel obsessed about projects you are working on and if so, how do you handle the emotional aspects of it? 

JOYCE: Obsession is the active part of the creative process. When the project is near completion, the obsession subsides and the displeasure with the final work is the germ that begins to form the next project. The "Oh, if I had done thus and so, it would have been so much better". That is not to say that you are displeased with your own work...but realize the impetus that will propel you forward.
Peepshow by Joyce Rettstadt
 OD: do you ever run out of ideas or fear your creative well will run dry? 

JOYCE: No!!!

OD: If so, how do you handle that? 

JOYCE: Be assured and be patient. You can't help a butterfly out of a cocoon. If you try, you kill it. Transformation is patient.

OD: how has your "creative" self evolved over time? What growth do you see? 

JOYCE: I have applied the creativity to several disciplines. It doesn't matter what medium you are working in, the same principles apply. As I have aged, I have felt more and more comfortable in my own skin. I no longer have to earn a living with my art/craft so the pressure isn't as great.

OD: in closing, many of my readers are afraid of rejection & criticism and can't see themselves as talented or creative. What would you say to encourage them? 

JOYCE: I was fortunate to go to a professional art school where the "critique" was the backbone of the learning experience. On a regular basis, my work would be tacked up on the wall and constructively pulled apart by my fellow classmates and finally by the instructor. At first, it was a crushing experience but the learning you derive from it is substantial. Having work rejected from a show is also difficult to accept at first until you realize that the decisions were made by a human being who might have totally different sensibility. Get over the fear of failure. Sin boldly!!!!

Potting Shed by Joyce Rettstadt


August 4, 2010

WANDERING WEDNESDAY: The Worcester Craft Center in Review!

I recently attended "Hot Night in the City", the Worcester Center for Craft's open studio. I must say that in spite of the small size of the event, it packed a big punch in the inspiration department. Just like the event, the name of The Worcester Center for Craft's, is also misleading. The term "crafts", has become known for being something amateurs plunk at like a hobby which has a restricted flow of creativity. Not so here! The flood gates of creativity were WIDE open and the people that make up the Craft Center shouldn't be called "crafters", but artisans.
Kids craft activies
The event of course featured the the same old kids craft activities, which was the first thing we did. Inside the Center, various studios were open including loom weaving, pottery throwing (the studio was amazing!), photography, jewelry making, weaving, thrown pottery, glass enameling and even hand-hammered metal works. 
Blacksmith



Outside the Center were top-notch demonstrations of rustic weaving, a potter at the wheel, glass bead making, blacksmithing and a clay tile mosaic (which you could decorate for a fee)






Rustic Weaving

















but the pièce de résistance was the Raku firing. 

Raku sample

For those of you unfamiliar with Raku, during the firing of pottery, different elements are added to a kiln to produce smoke and fire. This alters the glaze that was applied to each piece and gives a unique personality.




In THIS case, a more rudimentary (as in how it was done centuries ago!) set-up of outdoor kiln,

Outdoor Kiln


giant iron tongs to remove pieces

Removing of pottery pieces for Raku treatment





and people scrambling to drop them into trash cans filled with ripped newspaper and straw. 


The waiting cans





Raising the kiln to remove pieces




It was simply awesome to watch them draw up the top of that giant beast of a kiln and treat the pottery.













They even demonstrated various techniques of Raku using a covered pot, a spray bottle of water and wrapping horse hair onto unglazed pottery.  

Horsehair application to hot pottery
All VERY educational and utterly inspiring.

The find out more about the Worcester Center for Craft's or to see their full spectrum of classes, please visit their website. Or find them on Facebook here.



August 2, 2010

MONDAY'S MUSINGS - Guest Author Mandy of Just Gimme Coffee

Most folks dread Monday's but in my world, every Monday is a new beginning. And what better way to start off a new week with a fresh perspective? So ever Monday will feature the musings of someone new, fresh and different - a "Guest Author".

This week I am proud to feature the musings of Mandy, author of the blog Just Gimme Coffee. She endeavors to restore a little sanity to her life by celebrating the simple pleasures. She lives in North Carolina with her husband, tween son, preschool daughter and lovable mutt Jackson. Having worked with children all her life as a summer camp director, teacher, speech therapist and mother, she has come face-to-face with a lot of bored kids! So this week she's musing about kids and creativity. Just in time for summer vacation!


Photo by gfpeck

The same thing happens every year…the summer doldrums!  Every mother recognizes this stage in her children’s lives. The kids are far enough into summer break that the excitement of its newness has worn off, and “I’m bored,” becomes the new mantra. Who do these bored children turn to for a solution? YOU, of course! You are not only mother and chauffeur and cook and maid (and the list goes on), but you are chief entertainer as well!

So what’s a busy chief entertainer to do? Well, I’m all about passing the buck right back to the kids!

The American poet and satirist, Dorothy Parker, perhaps said it best, “The cure for boredom is curiosity. There is no cure for curiosity.”

Our kids are bored and hassling us because their curiosity is broken. So why are their natural creative spirits not at work? Doesn’t every child come into this world with the potential for great creativity? Well, there may be a variety of reasons, but here are two leading causes:

1. A learned helplessness. Why think for myself? I can let others do it for me.

In our modern-day, technological, instant and hurried world, kids learn to let others be creative for them. They learn to sit on the sidelines when it comes to imagination and become spectators.

2. An unfounded fear. Why take a risk? My ideas may not be right.

Unfortunately kids learn quickly that the focus in our society is on being right and being the best. Anything else doesn't count. As a result, children learn to approach life this way. They hold back their thoughts and ideas for fear they may not be right, or accepted or good enough to pass.

So what can we do to combat this helplessness and fear in our kids? Unfortunately creativity does not grow overnight. It is a process, an attitude that develops slowly and has to be modeled, taught and nurtured by parents, just like all other values we seek to instill in our kids.

So, the long-term cure?

1. Make non-stimulating “down-time” a regular habit in their lives. Force them to think for themselves.

2. Provide and encourage more open-ended activities. Encourage them not to stress about, “getting it right.”

You know the saying, "If I give a man a fish, he will be satisfied for a day, but if I teach him to fish, he will be satisfied for a life-time." The same idea applies when it comes to kids' imagination and creativity. If I provide my child with the idea for a pre-defined, closed-ended activity,then he will be satisfied for a day (well not even a day, more like ten minutes); but if I teach my kid to seek out "down-time" to have the opportunity the create for himself, the he will be satisfied a whole lot longer!


Photo by zen


What are some practical ways to apply the cure?

1. They may design a new character for a show they have recently watched.

2. They could develop a whole new story involving familiar characters.

3. They could act out the new storyline using themselves or using toys.

4. They could create a new game to play, either live-action (like tag) or a board/card game.

5. They could create an alternate ending for a story they have read.

6. They could create a notebook about a topic of interest. You know, all those millions of questions they ask you on a regular basis! Tell them to look it up!
These are just a few examples. The sky is the limit! The key is to make regularly scheduled “down times” and to help your child think open-ended.

I'm not saying this will be easy. They will resist! Be prepared to invest a little more of your time and energy up front in both suggesting ideas and helping them follow through on them. However, despite the whining and complaining, you must be strong in your convictions. Set a timer if it helps, and refuse to allow them to engage in an activity where the creativity is provided by another until the buzzer goes off. As they come to accept that Mama ain’t playing around and she’s really serious about teaching me to use my imagination, curiosity and creativity for myself, then they will slowly give in and experiment.

Then celebrate their accomplishments! Show excitement for what they have done. Hopefully you’ll less frequently hear, “Mom, I’m bored!”  Then you can temporarily remove your chief entertainer hat, and go put on your chef hat, maid’s apron and chauffeur shoes and complete all the other jobs you already have on your list!

What about you? What ideas do you have about helping kids learn to amuse themselves? What has worked for you, or what hasn’t worked? Please share!


August 1, 2010

new site design...

I'm a typical artist, I know. I can't live long term (what the rest of the world considers short term! lol) with things staying the same; ESPECIALLY my surrounding. I look at my blog every day so it's like my living room. Once a month, I have to rearrange the furniture and accessories. I'd redo the whole stinkin room if I could accomplish it in a couple hours but repainting walls is time consuming and messy. NOT SO WITH A BLOG THOUGH! muwahahahahah

Last night at 2am, I unleashed the new design and color scheme. Gone is the red which was starting to make me anxious. Here's a color sample of the old design:


Now I'm looking to do my market research so if you've stumbled upon this post, I'm hoping your a chatty person who'll take a moment to help a stranger out. I have a few questions which can be simply answered in a comment (see below for the "comment" option). You have absolute amnesty in this department as I am sincerely seeking feedback from strangers and NOT "Yes-Men." I totally want you to be BRUTALLY honest!

1. if you couldn't read the site (like maybe you speak Mandarin Chinese), would the site still convey to you that it is an "artistic" site?
2. is the site too cluttered with buttons and gadgets for your taste?
3. did you scroll all the way down to the bottom of the site? If not, can you please tell me how far you scrolled (please do this by the # of posts you scrolled past)
4. did the site make you feel curious enough to explore more here? If not, WHY not?
5. does the subject of art & creativity interest you at all? if so - what areas??
6. did any (or all) of the ads distract or annoy you? if so, which ones?



July 31, 2010

Ceramic Activity



Ok..since this IS a blog on creativity, my first "How To" is a ceramics activity. I recently taught a class at the local ceramics shop using an inlay technique which is an EASY project. It will not overload anyone who has fears about not being very creative. Think of it as testing the waters with a toe!

You can purchase bisque pieces at local craft shops but for this activity, I suggest a local ceramics studio since they will have both the glazes AND kiln that you will need to fire your piece. Check your local listing for a Clay Painting studio!

 












Supplies:
1 ceramic bisque item (NOT GREENWARE).
2 different colors of ceramic glaze
1 or more scrapbooking paper (cardstock ONLY) flourishes from Sizzix, Cricut, etc
1 paint brush
1 bowl of water (preferably flat)
Newspaper to protect your work area

Instructions:

1.  Select 2 paint colors for your ceramic. In this case, I chose pink and brown.

2.  Decide where you would like to apply your stencil and ensure it will fit. Make any modifications to the stencil by snipping off excess. Set aside. 


3.  Paint 3 coats of your base color on the areas where you will be placing your stencil. Allow to dry completely (use hair dryer to speed process)
 




Soak your stencil




4.  Soak your paper stencil in water for a few moments to soften slightly.





Pat the stencil down with a wet brush






5.  With caution, lay the stencil on top of the base coat and with a damp brush, pat down firmly. Check to ensure all the edges have adhered. If needed, use your finger tips to press firmly.

drying!










6.  Paint 3 coats of your top color. Allow to dry.
 
Use pin to  lift flourish









7.  With a pin or your finger nail, gently work one of the edges of your stencil up and begin to GENTLY peel the stencil off. Do not worry about slightly jagged edges.
 





Peel carefully!




You can use a petite brush to fill in any voids of paint.
 







 8. Fire your piece!

*Please note: this technique will work with acrylic paints but your ceramic will not be food safe AND you will have greater difficulty in removing the stencil.